The third stage: what to expect from Emma Hayes’s USWNT with World Cup in sight?

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写作是艺术也是门手艺,而手艺活要分两步:先塑形,后抛光。第一稿是塑形,把那一团模糊的想法,所谓灵感,捏出个大概模样。这时候你要像个陶匠,手上沾满泥巴,没关系,关键是让坯子成型,有模有样。第二稿才是抛光、打磨,这时候你是一个编辑,是雕刻家,是一个让人“讨厌”的挑剔的人,是一个指手画脚的人,但也是那个让作品发光的人。这个过程很煎熬,但成果喜人。我听一位刊物编辑说,作家索南才让的《荒原上》,前前后后修改了十稿,最终获得了鲁迅文学奖。当然不是说所有稿件修改十遍后就能拿奖,但若没有这一历程,作品恐怕不会有现在这样的成色。

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The problem gets worse in pipelines. When you chain multiple transforms — say, parse, transform, then serialize — each TransformStream has its own internal readable and writable buffers. If implementers follow the spec strictly, data cascades through these buffers in a push-oriented fashion: the source pushes to transform A, which pushes to transform B, which pushes to transform C, each accumulating data in intermediate buffers before the final consumer has even started pulling. With three transforms, you can have six internal buffers filling up simultaneously.

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"I just think it's kind of a dangerous precedent for social media companies to request 3D scans of your face or official documents without there being any kind of knowledge of how that information is being protected or stored," he tells the BBC.